Die Serie The Equalizer handelt von einem ehemaligen Geheimagenten namens Robert McCall, der aus Schuldbewusstsein heraus gerne mal den Helden. Der Equalizer – Der Schutzengel von New York ist eine US-amerikanische Fernsehserie. Die CBS-Serie The Equalizer ist ein Reboot der gleichnamigen Vorlage aus den Achtzigern, die auch zwei Actionfilme mit Denzel Washington inspirierte.
The Equalizer Serie Alle 4 Staffeln von The Equalizer
Der Equalizer – Der Schutzengel von New York ist eine US-amerikanische Fernsehserie. Der Equalizer – Der Schutzengel von New York (Equalizer) ist eine US-amerikanische Fernsehserie. Inhaltsverzeichnis. 1 Handlung; 2 Hintergrund. US-Krimiserie von Michael Sloan und Richard Lindheim (The Equalizer; –). Ex-CIA-Agent Robert McCall (Edward Woodward) hat in seiner Karriere viel. Im Vergleich mit aktuellen Serien würde der Equalizer schlechter abschneiden. Aber wer die Serie noch kennt und alte Erinnerungen wecken möchte, sollte hier. Der Ex-Spion Robert McCall (Edward Woodward) wird nach seiner Karriere im Staatsdienst zum „Schutzengel von New York“. Mit einem Zeitungsinserat bietet. Die Serie The Equalizer handelt von einem ehemaligen Geheimagenten namens Robert McCall, der aus Schuldbewusstsein heraus gerne mal den Helden. Im Serien-Reboot spielt Queen Latifah die Hauptrolle. Auf Woodward und Washington folgt in der „The Equalizer“-Serie nun nämlich.
qessence.eu: Von 19liefen 88 Folgen der Serie „Der Equalizer“ im Fernsehen und ins Kino hat es der ehemalige CIA-Agent. Die Serie The Equalizer handelt von einem ehemaligen Geheimagenten namens Robert McCall, der aus Schuldbewusstsein heraus gerne mal den Helden. Im Serien-Reboot spielt Queen Latifah die Hauptrolle. Auf Woodward und Washington folgt in der „The Equalizer“-Serie nun nämlich.
After many years in the wilderness, American studios recognised the intelligence of their audience and produced a well-scripted, well-acted action drama with character, depth and real bite.
The central premise was of a British military officer named Robert McCall who had served the latter half of his career with an American intelligence agency nickednamed "The Company" although it approximated the real-life CIA but had grown disillusioned with its methods.
The series starts with McCall having resigned and decided to use his espionage, intelligence-gathering and combat skills on a lone crusade to champion the victims of crime, apparently as some form of atonement for his shady past.
But McCall could never fully escape The Company. Occasionally he needed some of its resources to help him tackle the job at hand.
While his ex-superior, known only as "Control" played by Robert Lansing , was sympathetic to McCall's reasons for quitting, he was never fully prepared to let him go, both because of his skills and the sensitive secrets he carried with him.
Indeed many episodes saw McCall being drawn back into Company operations. The two men remained friends but their relationship was on a constant knife-edge and often led to some of the series' best "stand off" dialogue moments.
The first two seasons wrought a tremendous variety in interesting story lines, had good dialogue and the performances of Edward Woodward, his regular co-stars and the often-abrasive interplay between their characters lifted the show further.
Location shooting in New York was used highly effectively and Stewart Copeland's startling, unique musical style lent the show a sparky, effervescent, slightly off-beat air.
The staging of action scenes was reasonable, though would never match the sensational jousts witnessed in Brit series such as The Sweeney and The Professionals.
In fairness, though, The Equalizer trod a more realistic path in this respect. The series' sole fault, during the first three seasons, was that the scripts became rather formulaic.
With a few notable exceptions, the plots tended to revolve around a well-established, predictable pattern: McCall would receive a call from some distressed individual being terrorised; they would meet to discuss the problem at hand; McCall would then use his dubious contacts to dig up some dirt on the aggressor, who McCall would then threaten and, ultimately, end up having to kill - though all imbued with a liberal dose of pathos, of course!
The production schedule on the series was frenetic and with most scenes requiring the involvement of Woodward, it maybe shouldn't have been a surprise that he, a heavy smoker, suffered a heart attack during filming on the third season in Actor Richard Jordan was brought in to lighten McCall's load for several episodes.
While a perfectly understandable move, in many viewers' minds it appeared that Jordan was taking over. By the time of the fourth season Woodward had returned full-time and Jordan was phased out.
But a necessary reduction in the strenuous exercise regime Woodward had previously followed meant he was far from the dynamic powerhouse he had once been.
The show took on a new direction and embraced socially-sensitive themes. In one episode a small boy is dying of AIDS and being harassed by frightened, ignorant neighbours.
Although audience rating were not as strong as before, they remained high Unfortunately CBS was apparently suffering from internal power struggles and some of its senior staff wanted to launch new series at the expense of existing ones.
Neither Woodward nor a huge campaign of public support could convince CBS to change its mind. The situation for the UK was actually worse.
For reasons that have never been clear, proper peak-time screenings on the ITV network of the final season stalled after a few episodes. Naturally many Brits assumed the show had been cancelled mid-season.
The remaining eventually aired via regional syndication in late-night "graveyard" slots with no publicity. In fact some ITV regions opted out completely, the affected editions being buried amongst repeat runs in the s.
It was an astonishing attitide to adopt as the show had actually been even more successful in the UK than its home country! Once can only suppose that denial of a complete network run was due to CBS.
The series had to wait for many years until it was made available on videocassette and even then only nine episodes from the first season were issued.
Yet - probably to CBS' embarrassment - repeat runs continued to demonstrate the show's enduring appeal. But even then problems continued.
The American set has a welcome addition of an audio commentary by the series' creator Michael Sloan but the episodes suffer from several mysterious substitutions of incidental music.
The picture quality on the UK set is notably "scratchy" and has been overly compressed for digitisation.
However with efforts under way to launch a movie version in , there is clearly still an audience for this show Looking for some great streaming picks?
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A third novel, Requiem: An Equalizer Novel is currently in the works. From Wikipedia, the free encyclopedia. Redirected from The Equalizer TV series.
This article is about the television series. For the American film adaptation based on the series, see The Equalizer film.
For its sequel, see The Equalizer 2. For the reboot of the series, see The Equalizer TV series. For other uses, see Equalizer disambiguation.
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